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Voluntary Exile

Author's Foreword

Drawings from the Voluntary Exile Period

Transit

Author's Foreword

PEDIGREE

AMELIA-ANNE STORIES

The First of November
Sunday Morning, Saint Louis and Colwyn Bay
Amelia-Anne Plays Salome
At the Marjeanette Apartments
La Gare Saint-Lazare as Europe Falls Nightfall Other

WAYS OF HENUT WEDJBU

In the Wood
Between Ferries
No Horizon
Henut Wedjbu and the Pea-shooter Festival
Over the Waterfall
Henut in the Bridal Salon
Below the Wall
At the Villa Window: Midday
Last Sunburn in Rio
Place de la Poste
Henut's Family
Valse: Au Bal du Printemps
The Fruit-trees
Non Mortuus Est Amor
Orpheus
From a Journal of the Grand Tour
Towards Dawn
Iron Curtain Country
Henut and the General
Play-Time
Just Good Friends in Pecos
Furnished Rooms: Cripple Creek
Henut Wedjbu at Seventeen
Henut's Self Portrait
December on the Esterel
Grand Hotel: Waiting for Henut
The Reception
The Embalmers
In Psyche's Guise
Thornfield Avenue
Warm and Dry
The Naked Man in the Book of Moons
Au Clair de la Lune
Alba

LANDSCAPE WITH RUINS

The Clock-tower
Morecambe Bay
Four Miracles
The Abduction
Those Who Remain Unnamed
Arm Wrestling with Monsieur Mallarmé
Tragœdia
Adèle, When the Time Comes
The Man with the Shears
The Coming of the Rain Stallions
The Christmas Issue
The Master-Teacher in Transit

Static

IN THE HOT-TUB-OF-YOUTH

Darkling, I Listen
Werther Ends It All
Cortège
Collect, Connect: A Guide for Readers
World Premiere at the Opera
Home Thoughts
Sirius Rising
Fishing in the Rain
Ducky
Curing
Rapunzel in Thebes
The Force of Gravity
Ernest Augustus, In His Study
Newton's Quæstiones
Strolling
Eine Kleine Wassermusik
Lesson in Perspective
The Finisher
Solo in Corpus
Quickstep: Only Make Believe
Les Masseuses
Easing Home Across Illinois
Together, They Fall
Requiem for Orpheus
Rhapsody
Beyond Bierstadt's Island
Alderman Taylor's Last Stand
Cursive
Corpus Christi: O.H.M.S.
Personal Profile
The Khan in His Pleasure House
TOUCHING THE MIRROR
Piano in the Alps
The King to the Late Queen
Heat Lightning
Midday in the Caldarium
The Antiquarian Breathes His Last
Trio for Lovers and a Dog
Cour D'Amour a Burlats
Explanation of Houses
While Craving Composition
Breakwater
Mirage Dancing
By the Tyrrhenian Sea
Properties of a Murky World
Those Who Remained Unnamed

FEEDING THE SOW

What the Maps Reveal
Un permis de séjour dans le Musée de l'Homme
One Morning Like Many Others
Remembering the Island
The Clock in the Well
Eating Sand
Valse lente aux Indes
And So to Bed
Introducing the Flying Carpet
Proteus
Lazzi di Policinello

MIDNIGHT

Captain Midnight on Keyboards
The Captain on Watch
Roommates
Second Sitting
Captain Midnight in the Undergrowth
Captain Midnight's Foul Mood
Waterlogged
Terminus
Waking
The Punishment

Days Break

A Way to the Old Town
Rip Tide
Relics from the North
Moving Away from Home
Lear's Wife
Waiting Late for Your Voice
August Epiphany
The Refinery
Being Away from Home
The Moment Their Dreams Cross
Valse Macabre
Horn Mad
Between the Door and the Sea
The Lovers
West End
On the Slack Tide
Sawley Brow, 1950-1970
Rabbits
After the Threshing
Blockhouse
Finding Voice
L'Art Poetique
Fire-Building Conceits
Running a Crooked Mile
Not Cricket
Paperwhites
Flash Flood Warning
Spirit House
Cul de Sac
At the Poet's Grave
Complaint
From the Edelweiss Hotel
Essential Theatre
Route 64
The Old Poems
Letters between Two Worlds
The Night France Won
Spring
The Tin Soldier
Why I Avoid the Guy in the Mirror
Goethe's Place
Lot's Wife
Fractal
Symmetry
Aperçus
Sponge
The Fear of Spinning
Salt over the Shoulder
In the Country beyond the Woods
Climate Control
Lines for a History Notebook
The Rabbit's View of Entropy
Percy Shelley
Kali in Manhattan
Water Color
In the Middle of Nowhere
Waking Late
From on High
Dancing Man
Catching Mackerel
Slackwater
Pissing at the Ritz
How We Would Pray

 

Short fiction: The Toulon Stories

Foreword
Flora's Bower
The Works I
Homecoming
Letters
The Works II
The Windowpane

 

Other

Midday in the Calderium
An Apologia

Bio

Contact

 
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