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EINE KLEINE WASSERMUSIK
Old Noah and his lads have stowed
their tackle—adze and bow-saw, mallet
and pitch-pots—and are having a smoke,
snug in their barn-bunks, lullabied—
while their wives tend the kettle,
lacing the toddy with extra grog—
by a quiet chorus of grunt and growl
and of settling down in the cozy straw.
Tonight they have not been invited
to the palace conservatory, where
taut necks jerk and vertebrc arch to the tug
of muted trumpets. Over the heads
of the tango dancers the hailstones snap
like castanets. Then—slap hands,
crack backs—all falls down, the dance-floor
tilting like an ice-floe, club chairs huddling
like queasy sea lions, the glass roof
pelted by an avalanche of knives and forks.
Of the sodden tuxedos and slithery gowns
and ruined hair-dos none will survive
this final bash. But legend will have it
before it was over the old fat gods arrived,
floating over the fallen—snub-nosed whales,
the high baroque of their bodies wobbling
like wrinkled limp balloons. There are those
who will claim (though they did not see them)
their grey skins split and fell like sloughed
dust-sheets, their battlemented backbones
and great rib-cages still slowly heaving
before they retired to the sea's museum.
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